There are extraordinary hours of television that stick with you because they effect and reflect the very turmoil stirring in your own soul. The second season of Queen Sugar explored the intricately complex subject of police brutality in the black community by following baby-faced Micah West (Nicholas L. Ashe) unlawful arrest and violent mistreatment by a racist police officer.
The plot unspooled in a gut-wrenching study of tragedy, trauma, and catharsis for viewers who are concerned with far more dire things than the amount of their traffic ticket when they are stopped by police. It was far more powerful than broadcast cable's attempts (*side-eyes Chicago PD, Bluebloods and Law & Order: SUV*) because Queen Sugar’s primarily black writers and cast inherently understand the nuance, shame, and fear of existing in a country build on institutionalized racism. It was a beautiful and intensely haunting reflection of the age-old reflection of the rule to write what you know.
And sadly, this is the direct opposite of showrunner Marc Guggenheim's desire to wedge a Black Lives Matter "topical episode" into season 6 of his white-boy-vigilante superhero drama, Arrow.
Small Screen Girl
I am an unabashed pop culture and TV-aholic with no plans to ever seek treatment. Explore this blog and see just how deep my obsession goes.