When I first saw the trailer for The Bold Type, I could not contain the socket-spraining eyeroll. For the post-The Sex And The City and The Devil Wears Prada generation, television shows and movies about chic twenty-somethings who move the The Big Apple in search of fabulousness and love at a fashion magazine are about as common as its Tuesday airdate and just as realistic as an airbrushed photo of a supermodel.
I braced myself for faux feminism, the lone minority (Sweet/Vicious' Aisha Dee) to have scraps of a storyline, and lots of pseudo-glam outfits.
And I have never been more happy to be wrong about everything, including the fashion. Freeform's The Bold Type is the splashy summer show that lives up to its titular promise by pairing painfully relatable drama with the provocative shot of real female empowerment.
I will forever loathe Dawson's Creek creator Kevin Williamson for patenting that hyper-intelligent super-polished manner in which teenagers in all high school dramas now speak, especially when I can only pry a few words out of my incredibly intelligent niece.
It's one of the very few downsides of 13 Reasons Why, Netflix's latest and possibly best series since House Of Cards. Based on the novel by Jay Asher, 13 follows Clay Jensen's discovery of cassette tapes his friend Hannah recorded before her suicide dictating the reasons why she decided to take her own life. It is a haunting cautionary tale about teen suicide, bullying and a rightfully scathing commentary about society as a whole.
Overwrought dialogue aside, 13 is an unflinchingly powerful, beautifully written and expertly acted glimpse at the emotional rigors of high school life in the age of Instagram, Snapchat and Twitter--something executive producer Selena Gomez knows more than a little about. In these times, when compassion seems to be nearing global extinction, 13 Reasons Why is should be assigned homework for everyone, parents and kids alike.
As it usually does, Monday's Jane The Virgin aired a brilliant and soul-crushing piece of television that was as exquisite as it was devastating. "Chapter Fifty-Four" saw all of the characters embarking on game-changing journeys and one unexpectedly die.
It’s not hard to fall in love with Supernatural. From its game-changing combination of macabre humor, gut-wrenching feels, ride-or-die bromance, classic horror, and dashing leads, there are a lot of reasons why The CW’s sci-fi show about two monster-hunting brothers saving people is the longest drama in WB and The CW’s history--250 of them to be exact.
Supernatural roared into 2017 celebrating its landmark 250th episode, reminding everyone why you don’t mess with the Winchesters.
On Thursday, Fox's stellar baseball drama, Pitch, closed out its first season after just 10 episodes. I've praised the show so much throughout its frustratingly short run that I'm out of ways to originally show my love.
Since this show ended its rookie season with nary a word from the network regarding season 2 or the dreaded C-word, I'm actually angry that Fox is betraying yet another quality show led by a black woman (See Sleepy Hollow and Minority Report).
Frankly, I'm tired of prettying up why this show is so important for television and the fans who have come to worship it. Here's the bottomline: Fox would be fucking stupid not to renew Pitch. Here are the 4 biggest reasons why this show desperately needs a second season.
If you’re a diehard fan of Gilmore Girls, you’ve probably already devoured the Netflix reboot, Gilmore Girls: A Year In The Life, faster than the Lorelalis can polish off a plate of a tater tot tacos. You’ve scoured each of the four parts—one for each season—for callbacks to the original show, and laughed or fast-forwarded through the tedious and needlessly long minutes of the Stars Hollow Musical while wishing that time had been given to plump up Jess (Milo Ventimiglia) or Dean’s (Jared Padalecki’s) cameos. And you’ve ranted, raved and/or fretted over the final four words which I will not spoil here.
I went into the viewing dreading the inevitable walk down Ex-Boyfriend Lane, because all of Rory’s past suitors—yes, even Dean—were several kinds of problematic. Except this time, through the sobering and horrific prism of 2016, they weren’t. It was Rory who was 57 flavors of insufferable, entitled, and selfish. And I couldn't help but wonder: Is Rory Gilmore a terrible person?
As television blogger, I don't put as much importance on season and series premieres as the early episodes that follow. Consistency is also an vital factor to truly gauging the quality of a television show, and the later episodes have benefited or suffered from studio notes and over-analysis, and is closer to discovering its true identity.
As a rule, I give new shows at least three episodes to earn a full season investment. Unbelievably, it's already that time in the season, so it's time for my Fall TV Report Card. And I will start with some of this season's most-anticipated new shows, including The Good Place, Conviction and more…
Monster hunters Sam and Dean Winchester have faced hundreds of formidable foes on their never-ending quest to rid America of evils. A powerful yellow-eyed demon. A human-eating leviathan posing as a businessman-turned-politician, and even the devil himself.
But nothing is more devastating than its latest foe: Supernatural's own writers.
As I wrote last May, Supernatural's last season was problematic at best despite high-point episodes in "Just My Imagination," "Baby" and "Red Meat." But the final minutes of the season 11 finale in which the Winchesters' beloved mother, whose death is the reason they became hunters, was resurrected; and Sam was shot by a nasty representative of the British Men of Letters, a secret organization dedicated to collecting and archiving information on the paranormal, were promising.
As teased for months, season 12 finds Sam (Jared Padalecki) in the clutches of a British psychopath named Toni Belville, and Dean (Jensen Ackles), with their mother in tow, is determined to track him down. Dean, the consummate badass, even channels his inner Liam Neeson with a "Taken" style threat to Sam's kidnappers and yet it ends with more shark abuse than bad guy thumping. How did it all go so horrifically wrong?
I am happily navigating the ocean of new television searching for my next fangirl island. One of them happens to have a baseball field on it. Fox’s much-anticipated new series, Pitch, and is a grand slam.
Starring Kylie Bunbury, Mark-Paul Gosselaar, Michael Beach, and with a big assist from Major League Baseball, this emotional and riveting sports drama follows the fictional Ginny Baker, the first woman to play professional baseball.
Here are 5 reasons you should catch this Pitch—one of the best new shows of the season.
I'm going to keep it 100: I hated the majority of Empire's second season. It popped-and-locked into the sophomore slump with messy, ill-explained storylines and was jam-packed with guest stars (Chris Rock as a creepy cannibalistic prison kingpin? Sure!). Luckily, the stacked cast—featuring Emmy nominee Taraji P. Henson, Terrence Howard and Jussie Smollett—was able to elevate the material, so it was at least watchable.
Prior to Wednesday’s premiere, the powers that be made big promises to re-center the lion's share of the focus to the Lyon family. And like a revitalized singer armed with a divorce album, Empire staged one hell of a comeback.
Small Screen Girl
I am an unabashed pop culture and TV-aholic with no plans to ever seek treatment. Explore this blog and see just how deep my obsession goes.